Month: June 2017

The Sun-Woman

Kymrei had never heard of anyone descending below the canopy, that shadowy underworld of mysterious dangers. Much less had she ever expected to do so herself.

It all began on that year’s Day of Flight, the day she had been eagerly anticipating for most of her life. So much had been leading up to this point—the early rides behind her father or mother on the avyars’ backs, her first lessons in how to sit the saddle and work the harness with her feet, her solitary flights for the last couple of years among the branches of the Western Arbor. In the few months before this day, she had practiced with particular industry, flying in all the permitted areas and reviewing every tactic and trick she knew. Then, in the last couple of weeks, she had made her own riding garb, light and comfortable but strong, in the deep blue and white that marked her family. For her emblem, she had chosen a sunburst surrounded with stars, the only image that seemed to convey properly the excitement that she felt.

Now, at last, the day had come. Summer had arrived, and for Kymrei and all the Western Arbor’s youth in their fifteenth summer, it was their Day of Flight. After today, she would be a woman, free to do all the things grown men and women did. Her avyar, Aino, she would no longer have to borrow from the Keeper and ride only in a few places—he would be hers, and she could fly on him wherever she pleased. After this morning . . . they had only to follow the Keeper of the avyars all around the island, showing that they had mastered the art of flying the creatures and could overcome the tricks of land and sky.

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A Silent Consolation

The silence is tremendous here;

My heart is sore and dry;

I’ve wrung out every bloody tear

And found it good to cry.

 

This emptiness that’s taken hold

Seems to be listening

For some word that cannot be told

Except in suffering.

 

I listen with my weary soul,

My spirit limp and still;

Like water welling in a hole,

Fair sights my worn mind fill.

 

The branches this spot encompass

And sprinkle streams of sun;

Leaves glowing green like bits of glass

Quiver while breezes run.

 

The grass gleams back; the insects whirl;

The flowers softly glow;

Blithe birds and little roguish squirrel

All scurrying by me go.

 

And spread out on majestic high,

Its blue and white aflame

With golden sun, the evening sky,

O’er all my world the same.

 

All these are breathing out to me

A signal growing strong,

One thought—joy, joy—pulsing lightly,

A sweet and throbbing song.

 

“Why joy?” I ask. “What is there here

That should my spirit start?

What does your beauty frail to clear

The burden in my heart?”

 

Swift they reply, “Man, we are more

Than only what you see.

Our beauty is not idle, for

It speaks reality.

 

“Such is your Father, such His hand!

Spilling His splendors forth,

Scatt’ring them so you’ll understand

How His love sets your worth!”

 

“Are you His splendors, then?” say I.

“Yet you are not like Him;

For you too change, and slip, and die—

Small joy in what grows dim.”

 

Swift they reply, “Rejoice we must,

And you too, more than all.

We each are bound to die in dust

Since Adam’s grievous fall;

 

“And so we groan in longing, yes,

But longing not in vain;

There runs a song of hopefulness

Through sun and cloud and rain;

 

“For in the second Adam’s rise

We all are made anew,

And though death swallow earth and skies

‘Tis but a passing through.

 

“O learn now what the seedling shows,

That all your suffering

Is but the sowing of what grows

Unto far greater spring.

 

“Rejoice with us, be sown with us,

And fear ye not to dream

That all griefs may joy-blossom thus,

However sight may seem.”

 

So is it thus that flowers fall,

That suns wear out and die,

That loss besieges sinners all

Beneath the dimming sky—

 

So that all things, consumed and spent,

May keep what seedlings hold,

And with the One Who death-bars rent

Spring up a hundredfold?

 

I see it not, it seems so far,

Yet this I shall not lose,

This glimpsing of the things that are—

This I embrace and choose.

 

The Spirit that gives silent things

A mission and a voice

In silence stills my questionings

And calls me to rejoice.

 

Tales of the Night

Sorry, I can’t pretend to be objective here. Michel Ocelot’s Tales of the Night is simply a joy—not a perfect film, but a lyrical celebration of art and imagination, its assortment of stories sparkling like a jeweled mosaic.

Of course, it comes to us from abroad (specifically, from France, in a combined effort of NordQuest Films, Studio O, and Studio Canal). No American studio would produce such a film. The animation is simple, low-budget work, relying on lavish artistry rather than cutting-edge technology, much like The Secret of Kells and Song of the Sea (both of which, like Tales of the Night, were brought to the United States by GKIDS). Characters are black silhouettes with eyes, but the backgrounds are a riot of color and detail: flowers and branches, castle walls, a Gothic-style rose window, skies sprinkled with stars or streaked with pink and gold. Almost every frame is shot from the side, giving the images the feel of elaborate dioramas. The six eponymous tales, though none lack some form of excitement, are presented with fairy-tale simplicity and matter-of-factness, without attempts to sensationalize. Why can’t we get more movies like this?

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