Author: Sarah (Page 4 of 7)

Beasts of Fire and Water

Gyna stumbled wildly across the dim, cavernous room, wondering how much farther her trembling legs would bring her before she collapsed—and that would be the end. She listened for any sound other than thunder, wind and her own gasping breath, but the thumping had ceased, and the fiendish cackling had vanished. Not daring to hope that she might have lost her pursuer, she hastened into the only opening she saw ahead, a dark and empty doorway. Perhaps the blackness would hide her there?

A few paces past this exit, she glimpsed a faint light, seeping around a corner in the passage. Approaching more slowly and trying to quiet her panting, Gyna peered cautiously around the corner and saw a long, spiraling staircase, descending to what looked like a pool. The light, a pale greenish, sickly glow, seemed to be coming from something in the water . . . was there some sort of creature down there? Yes, it looked like something with tentacles, and a big something at that.

It figures, she thought, with a sort of frantic bitterness. After all this, now a water monster. Well, what should I have done?

She took a few small steps backward, her thoughts scrambling for some other way out, when something rough sprang around her and knocked her down—a net. The witch had caught up, without a sound.

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Remembering the Basis of Human Dignity

Originally appeared on Catholic Stand

Several months ago, I happened to glance at the cover of America, and noticed something strange among the featured article descriptions: “Jesus, Please Don’t Fix My Disabled Daughter.” Curious, I flipped to the indicated page number, confident that the essay would not actually advance the idea suggested. To my astonishment, however, it did.

The author, a Heather Kirn Lanier, explained that she had recently begun reading the Gospels and generally liked Jesus, but was initially disappointed with His miracles of healing. As Mrs. Lanier said, “He reinforces the idea that the disabled body is broken, damaged. He treats the disabled body as something to fix.” She went on to protest that her disabled child was not worth less than anyone else, emphasizing, “She’s not damaged goods,” and that, therefore, the little one had no need of fixing. She also proceeded to give Jesus’ actions her own interpretation, one agreeable to her view that we should not demean the disabled by trying to cure them.

At first I didn’t know how to respond. Of course Mrs. Lanier’s little girl was as precious as a child without handicaps . . . but why would that lead the mother to regard potential healing as an insult?

Then I understood. From that essay’s perspective, any privation meant a degradation in value. There was no distinction between saying that a child’s body had been malformed and insinuating that that child was intrinsically inferior to other children. Suddenly I understood so much of the modern world’s anguish.

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After Rain

Heavy veils of grey yield to wind,

Parting to reveal still-shining blue,

Shedding soft shreds, whiter now and thinned,

Gladsome white-gold sunshine beaming through.

 

All the ruts and ditches that here lie,

They are mirrors now of water-glass,

Wherein fragments of the glowing sky

Gleam up from among the stones and grass.

 

Branches netted roughly, tattered bars,

Drab grey webs all drizzle-wet and grim,

Glisten now with countless bits of stars,

Silver-bright, as if with Christmas trim.

 

Every leaf and flower-head weighed down,

Battered with the rushing of the rain,

Now stands splendid in its diamond crown,

And is swift forgetting all its strain.

 

All the earth is baptized, washed anew,

And stands radiant before the sun,

All the gloom and tempest that it knew

Now become such glory as to stun.

 

So for nature, so also for me,

When that which oppressed and struck me low,

As the light returned, changed wondrously,

New marvels of grace and joy to show.

 

Let it come then, Lord, the bitter rain,

Though it drench and pound upon my soul;

Only, send Your light, and make my pain

Something shining, my fractures Your whole.

Nausicaä of the Valley of the Wind

Nausicaä of the Valley of the Wind may be the quintessential Hayao Miyazaki film—not necessarily his best, but the most comprehensive assortment of his characteristic themes and motifs.

The setting is a staggering feat of creative world-building and visual opulence. Characters include a strong young female protagonist, children, and old people; and while the villains may be more clearly evil than most Miyazaki antagonists, they don’t ultimately evoke hatred or vindictiveness.

There are flight sequences and stunning uses of water. Themes include pacifism and environmentalism. The story frankly acknowledges the sadness of loss and fears for possible future losses, but is subtly shot through with hope and grace.

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Bride of Christ

Raise a glad song, favored maiden;

Sing out sweetly, turtle-dove,

By your King with treasures laden,

Called by Him to be His love!

Truer bridegroom was there never,

Nor more generous a lord;

All that’s His is yours forever,

Sealed with His eternal Word!

 

Lo, He sets His mark upon you,

Claims you for His own dear bride;

With His holy Blood He won you,

For your love He fought and died!

Now fair robes as bright as morning

He brings for your wedding gown,

Rarest jewels for your adorning,

And a shining royal crown.

 

But before the feast in splendor,

When your joy will be complete,

Bride of Christ, you must surrender

To what seems a dark defeat,

To the night of bloody sweating,

To the vicious world’s abuse,

To the hour, of God’s own setting,

When your very self you lose!

 

From earth’s world of dim phantasm

To your Spouse’s radiant realm,

One road only spans the chasm;

Let it not your heart o’erwhelm.

He sees your tears, drawn by fire,

By each wound and valiant loss,

Diamond stairs to lead you higher

By the King’s road of the Cross.

 

If a maid follows her lover,

Join yours on His mystic way,

Road He traveled to recover

Precious souls that dying lay.

Join His great task of redeeming

Each lamb wand’ring from His fold;

Your blood mixed with His and streaming

Sows their new life manifold.

 

Think on Whom it is you marry,

King of Kings and Friend most dear,

Who scorns not weak lambs to carry—

Let His love cast out your fear!

He’s worthy of all your treasure,

And you’ll find, dear bride of Christ,

He returns bounteous measure

For all that you’ve sacrificed!

 

Break your jar, your ointment flowing,

Pour it and count not its worth,

For the joy that passes knowing

And the love past scope of earth!

Take your cross, moved by Love’s fires,

Learn its deep, mysterious charms,

Find your heart full past desires,

Find you’ve risen—in His arms!

 

 

Ocean City Boardwalk

The sun beats down upon this bench;

The boards resound with thumping feet;

The passing breeze picks up the stench

Of tobacco and roasting meat.

 

To left and right a world spreads out

Of blaring music, flashing signs;

The cream-streaked people peer about

Through glasses dark for cheapest finds.

 

An eastern wind comes from behind,

A crisp and cool breath from the sea;

Its sharp, clean fragrance wafts to mind

A world of grace and mystery,

 

A quiet world, breakers and breeze

Singing their wild, blissful hymn,

Earth’s edge fading in glimm’ring seas,

Free blue-green depths where finned things swim.

 

My heart leaps up to hasten there,

Leaving behind this boardwalk scene,

For all its splendid flash and glare

Pales by this majesty serene.

 

I’ve brought no purse nor souvenir,

Nothing that I need fear to leave.

My shoes I gladly set down here,

Forsake the scene, and never grieve.

 

For though its sweet delights I reap,

My hungry heart finds them too small;

The sea’s glory is strong and deep,

And fades not nor changes at all.

 

So may I gladly quit this earth,

Not weighted by things on the way,

And freely seek my second birth,

The joys deeper than man can say.

 

Though pleasures here be bright and sweet,

Still my heart strains up from the sod;

Into the depths shall fly my feet,

The changeless, beauteous depths of God!

 

 

The Problem with Poetry in Our Time

Originally appeared on Catholic Stand

Why talk about poetry? It might not seem an urgent concern. It certainly isn’t among the “hot-button issues” of our day. Our thoughts, however, would be impoverished if we devoted them only to the latest controversy over Pope Francis, the new dismaying scandal, or whether our country will collapse. Even in harsh times, the things that make human life full and sweet still deserve attention.

Art is part of what makes life human. The urge to create has always been a distinctive mark of humanity, and has been manifest wherever people have had time to draw, sculpt, or compose. God made us “making-creatures,” as Tolkien put it, reflecting the image of our Creator by becoming little creators ourselves. If you have no interest in poetry or arts generally, you probably aren’t still reading. But if you are, and if you’re interested in how language relates to human nature, keep going.

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Looking to the Future: A Balanced Vision

Originally appeared on Catholic Stand

What will the future be like? Our inability to answer this question with certainty has never stopped us from wondering and guessing, both about our personal futures and the future of the world. During the past century, the speculations about the latter have grown more numerous, diverse and elaborate than ever. Stories set in some projected time after our own have created such powerful images of the future that they shape our culture in the present, for better or worse. Although no expert on futuristic stories, I find the ideas underlying them intriguing and sometimes troubling. What do our imaginings do for us—or to us—now?

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The Gift of the Elven-King

Many ages ago, a great realm lay between the mountains and the sea, once ruling much of the world but now mostly forgotten. During the years leading to its decline, a curious affliction spread to many of its people. Fine, filthy fumes drifted across much of the land, becoming a slow poison in men’s eyes and throats. This was the doing of some wizards in the moors; they were releasing the foulness, most out of careless folly more than wickedness, from the furnaces and cauldrons where they performed their secret labors. But the people were to blame as well, for they made no effort to protect themselves. Instead, they simply coughed and blinked and went on as before.

In time, they became so accustomed to these fumes that they no longer knew anything different. They thought nothing of the bitterness they breathed, or the dull, ugly sights coming through their marred eyes. Many forgot that air could be sweeter, light stronger, colors brighter. Some, noticing the change, fled to remote regions where the air was less sullied, but they were few.

On the land’s western border, in the mountain forests, the Elves observed this evil from their own realm. No corruption could come near their dwelling places, but they saw and grieved over the sufferings of the foolish men. Thus it came, one day, that the Elven-king called his messengers to him.

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Peter Pan vs. My Neighbor Totoro: Contrasting Perspectives on Childhood

Recently, my family and I watched two movies deemed by their fans to be classic celebrations of the magic of childhood. The two take place in profoundly different cultures on opposite sides of the globe, but both—in their own ways—involve the magical bursting into the everyday, celebrate innocent wonder, and affirm the importance of family. One of them is, alas, much less well-known in the United States than the other. That one is Hayao Miyazaki’s My Neighbor Totoro, and the other is Peter Pan (the Broadway version, starring Cathy Rigby). I had seen both many times before, but on these reviewings, I noticed some remarkable contrasts in their perspectives on childhood and growing up.

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